March 6, 2013
Chris Sprouse, Orson Scott Card, Superman and doing the right thing

To recap:

1. Orson Scott card is a raging homophobe and hate-monger. Not the kind that just “has opinions you disagree with,” but the kind that invests money and time and efforts into the fight against your civil rights.

2. DC Comics hired him to write a 10-page Superman story.

3. DC Comics also hired Chris Sprouse, an extremely talented artist, to illustrate the story by OSC.

4. We know nothing about Chris Sprouse’s stance on same-sex marriage or LGBT civil rights.

5. There’s been a very vocal backlash against DC’s decision to let OSC write a Superman story. Petitions, boycotts, lots of negative press. In typical fashion, DC’s PR messaging in response to the crisis has been roughly the equivalent of “STFU, we did nothing wrong.”

6. Chris Sprouse was uncomfortable with all the negative attention in the press. He backed out of the assignment. His statement:

The media surrounding this story reached the point where it took away from the actual work, and that’s something I wasn’t comfortable with. My relationship with DC Comics remains as strong as ever and I look forward to my next project with them.

My first reaction to this was to cheer him on. Mark Waid tweeted about Chris Sprouse being a hero. I retweeted that and said I was thinking of buying a bunch of his books this week to show support. 

But then I started thinking about how carefully this little stunt has been orchestrated. The carefully worded statements from Chris Sprouse and DC Comics, the synchronized PR effort, both parties emphasizing that they are on good terms and will continue to work together. 

DC’s statement:

We fully support, understand and respect Chris’s decision to step back from his Adventures of Superman assignment. Chris is a hugely talented artist, and we’re excited to work with him on his next DC Comics project. In the meantime, we will re-solicit the story at a later date when a new artist is hired.

Everybody supports everybody. They all get along just fine. Nobody did anything wrong. Nobody is criticizing anybody. Orson Scott Card’s story hasn’t been trashed, but conveniently it will be absent from the first digital issue or from the first printed collected edition, so everyone can drop their boycotts. 

Isn’t DC Comics’ statement that they will re-solicit the story later their way of backing out of an awkward situation without admitting that they fucked up? It would be very easy for this story to just remain in limbo until everyone forgets about it. The PR nightmare magically just goes away and DC doesn’t have to publicly fire OSC or make any statement about their change of heart. 

If DC did fire OSC and made it clear that it was because of his work against LGBT civil rights, there would have been a backlash from conservative First Amendment fanatics crying about censorship. The PR nightmare might have intensified instead of going away.

Now the story might never see the light of day, but officially it’s not because DC took a stance against homophobia. 

And what about Chris Sprouse? Is he taking a stance about anything? We still don’t know how he feels about same-sex marriage. Which is fine. He doesn’t owe us anything. He’s just an artist who draws really beautiful comics. 

But he’s not a hero. He’s just a guy looking out for his career who wants to distance himself from the controversy. Christopher Allen at Trouble with Comics nailed it:

So he’s fine with [DC Comics] hiring Card, just not with people who don’t like Card now not liking him if he works with the guy. It’s a career-based decision. Understandable, especially in a tough comics industry that isn’t growing but continues to have new talent coming in, competing for work. But let’s not call the guy a hero.

I have no beef with him. I personally would feel sick working with someone like Orson Scott Card, but I don’t expect others to care as much about this as I do. We all have to earn a living. Chris Sprouse is looking out for himself. Good for him. 

But if he really gave a shit about OSC being a raging homophobe, he wouldn’t have taken the job in the first place. 

March 3, 2013
I bought a random old issue of Batman Chronicles…

…and one of the stories is about Dick Grayson and Donna Troy catching up on the good old days when they were Teen Titans while he beats the crap out of a seemingly endless supply of black kids. The whole time they’re cracking jokes and kinda flirting, as if those black kids he’s pounding on weren’t even there. 

Super fucking weird.

March 1, 2013

slipstreamborne:

Elseworlds universe where all the Robins live, but Batman keeps dying.

Queue round-table meetings where Dick, Jason, Tim, Steph, and Damien all try to figure out which well-off 30-40 year old male with a vengeance/savior complex they’re going to let think he’s in charge this week.

All of their vigilante operations are funded from the inherited fortunes of these poor pointy-eared saps.

Really they’ve got enough of a slush fund and a solid enough investment portfolio that they could do away with the whole Batman angle entirely if they wanted to but it’s just so handy to have this grim looming squarejaw who buys into the idea that he’s the main character of the story so thoroughly that all the villains pour the majority of their efforts into tracking down and usurping this dark brooding figure of urban myth leaving the Robins to get down and dirty with the REAL business of Gotham. 

YES PLEASE!!

February 15, 2013
"If our opponents are active, we must be active too. We cannot politely agree to disagree while they lobby against us."

Andrew Wheeler on the Orson Scott Card boycott (guardian.co.uk)

February 12, 2013
Michl Hartny.: I Just Wrote This To DC Comics

troublewithcomics:

Here’s a fine letter to DC Comics objecting to the hiring of hatemonger Orson Scott Card to write some Superman comics.

michaelhartney:

Hi, DC!

My name’s Michael Hartney. I’m as big a Superman fan as you’ll ever meet. I have bought Superman comics every Wednesday since I learned to read, which was nearly 30 years ago. Superman was the subject of my blog and my one-man show. My name is tattooed on my arm in Kryptonian, for Zod’s…

Well put.

February 9, 2013

darrylayo:

costak:

phoning-it-in:

lankyguy:

afterelton:

judgementscythe:

So yeah, this is happening right now.

Comic book experts/writers argue about whether DC Comics should be boycotted for hiring noted homophobe Orson Scott Card to write Superman.

BTW, the correct answer is yes, they should be boycotted.

Rich Johnston is a jerk, speaking from straight white male privilege.

Orson Scott Card isn’t just a homophobe, he is a virulent outspoken homophobe and anti-gay activist, who gives money to anti-gay hate groups.

Superman would probably not approve of this. Just a guess, but really. Come on.

Boycotting is free speech. You have every right to vote with your wallet and to urge others to do the same.

Boycott Orson Scott Card’s issues of this comic, write DC Comics. Spread the word.

Fuck Orson Scott Card for being a bigot and fuck Rich Johnston for trying to frame this as a difference of political opinion and not a dude who wants a large section of humanity not to fucking exist. Also big ups to Dan McDaid and Chris Hansbrough for being solid dudes.

This is pretty awesome. Of course I wish people had this kind of serious debate about Dave Sim, but whatever.

This still makes me so angry. Not that Orson Scott Card exists. Not that DC hired him. But that Rich Johnston is trying to cast people who find this repugnant as ANTI-FREE SPEECH, Johnston is just awful, awful, vile, the absolute worst in our community.

It’s the same fucking conversation over and over and over again. Kurt Busiek basically called me a fascist a year or two ago because I dared to suggest that it’s okay to choose not to give your money to people who will use that money to fight against your basic human rights. I don’t even remember which artist we were talking about, but it’s the same story. So sick of it.

The difference between grassroots boycott and state censorship is pretty clear to me. In one case you have people informing others and inviting them to make an ethical choice about how to spend their money. In the other case, you have government imposing a ban (usually for very dubious reasons) and trying to bury the truth. These two things are almost diametrically opposed if you think about it, so it’s completely absurd that Rich Johnston and others are pretending that they are the same thing.

I don’t believe people should be FORCED to not buy this comic. But fuck everyone who thinks there’s anything wrong with CHOOSING not to buy it for political/ethical reasons.

(via shatterlands)

January 9, 2013
In other news…

DC Comics sinks to new low, shoots Alan Moore in the face.

They did this in the pages of Animal Man #16, which makes me wonder if it was Jeff Lemire’s idea or if he just went along with it. Either way, it’s pretty fucking stupid and disgusting, but not really surprising coming from this morally bankrupt heartless corporation of endless despair.

January 3, 2013
I really hate that I can’t see a picture of Barbara Gordon as Batgirl without feeling slightly angry

That never used to happen before the New 52.

December 21, 2012
I just heard Gail Simone is back on Batgirl…

I…

I don’t even know what to think anymore. 

December 13, 2012
Gail Simone post-Batgirl

gailsimone:

(…)

Everyone has called, executives and editors from every company.

(…) I didn’t know the opportunities that there are. I didn’t know that my work was valued by so many people in this industry.  Can’t say anything yet, but I will say that I’ve been offered to write some dream, dream books I never even thought I might be able to work on. I’ve been asked to do animation and games and RPGS and more. 

(…)

I have a lot of decisions to make. But SOME very, very, very cool announcements will be coming VERY soon, hopefully before the weekend. I’m talking with a LOT of great companies…soon I can talk about who, and for what reason. (…)

I apologize for editing Gail Simone’s post, which in its entirety is a heartfelt thank you message to fans, but I wanted to highlight the important parts in terms of professional repercussions to the news about being kicked off of Batgirl.

This makes me happy, because in some ways I think Gail Simone was the most important writer working for DC. I really mean that. More important than Geoff Johns and Grant Morrison and Scott fucking Lobdell. I’m having a hard time articulating why I believe that, so I’ll leave that for some other time, but it has something to do with her fanbase and their dedication to her and her dedication to them, and how radically different that approach to writing comics is. And it has something to do with her constant efforts to bring diversity to superhero comics - efforts that I think have not always been successful and that I’ve been cynical about in the past - but goddammit SHE’S THE ONLY ONE TRYING! Or at least that’s how it seems sometimes, even if it’s not true. 

I don’t know whether she was actually fired from DC. I don’t know if they said to her: “You’re not writing Batgirl anymore and you’re not writing anything else for us either.” Maybe not. Probably not. But it doesn’t matter. I think the way they treated her is unacceptable and I hope she takes advantage of all those opportunities she’s talking about in her post and moves on to the next phase of her career, whatever it may be. I’m sure it’s going to be a success and almost certain that it will lead to BETTER COMICS THAN SHE WOULD HAVE WRITTEN AT DC.

There’s no future at DC Comics. And now that they’ve lost Gail Simone, it’s looking bleaker than ever.